Городской текст в художественном мире Семена Кесельмана

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dc.contributor.authorSpodarets, Nadiia V.
dc.contributor.authorСподарец, Надежда Викторовна
dc.contributor.authorСподарець, Надія Вікторівна
dc.date.accessioned2019-07-26T07:22:33Z
dc.date.available2019-07-26T07:22:33Z
dc.date.issued2018
dc.description.abstractThe article deals with the collection of poetry „Glass Dreams” (Steklyannye sny) by Semen Keselman - the Odessa poet of the Silver Age - and it focuses on the peculiarities of the author’s conceptualization of the city image and on the literary explication of different urban text models. During his early creative stage Keselman organically included allusive images of the Symbolist Petersburg text in the development of his conception and the textual model of this city. The poem „The City” (Gorod, 1910) is characterized by a balance between content and expression, artistic and aesthetic consistency, meeting the format of the symbolist discourse, though it embodies in the process of text-creation the author’s interpretation of the image of St. Petersburg. While developing the Odessa text model in the poem „In the Red House” (Vkrasnom dome, 1913) Keselman relied on the decisional in the Silver Age and significantly presented in A. Blok’s poetry image of the city as a product of civilization, which ‘swallows’ humanity and is therefore „alien” to it. But Keselman - as a poet of the modernist consciousness - creatively adapts Blok’s literary prototext images and symbols to the topology and the poetics of his own literary world. Keselman’s Odessa text as well as Blok’s Petersburg text illustrates the existance of the democratic environment; they can be distinguished by the pathos of existence, which is motivated in case of the Odessa poet by the topographic factor of the southern sea and the desire to overcome the universalism of the symbolist world with the daily living factography. By getting involved in the creative dialogue with maitres of the modernist poetic culture, Keselman illustrated the ability to verify his own literary solutions. The analyzed urban texts from the volume of poetry „Glass Dreams” allows us to conclude the signs of the original author’s world.uk_UA
dc.identifier.citationОдеса та Чорне море як літературний простір / ред. Я. Лавський, Н.Малютина. – Білосток-Одеса: PRYMAT, 2018.uk_UA
dc.identifier.urihttps://dspace.onu.edu.ua/handle/123456789/24883
dc.language.isoruuk_UA
dc.subjectPetersburg textuk_UA
dc.subjectOdessa textuk_UA
dc.subjectauthor’s literary worlduk_UA
dc.subjectпетербургский текстuk_UA
dc.subjectодесский текстuk_UA
dc.subjectхудожественный мир писателяuk_UA
dc.titleГородской текст в художественном мире Семена Кесельманаuk_UA
dc.title.alternativeCity text in the literary world of Semen Keselmanuk_UA
dc.typeArticleuk_UA
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