Опозиція «свій» / «чужий» у памфлетах збірки «Перед лицем фактів» Я. Галана
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Дата
2015
Науковий керівник
Укладач
Редактор
Назва журналу
ISSN
E-ISSN
Назва тому
Видавець
Одеський національний університет імені І. І. Мечникова
Анотація
У статті йдеться про культурні концепти «свій» / «чужий» у збірці памфлетів Ярослава Галана «Перед лицем фактів», яку складають нотатки, памфлети
й нариси, написані після відвідування Нюрнберзького процесу. Проаналізовано більшою мірою семантичне поле «чужий», репрезентоване портретами фашистів, які
опинилися на лаві підсудних. Акцентовано увагу на сатиричних та інших прийомах
образності.
В статье идет речь о культурных концептах «свой» / «чужой» в сборнике памфлетов Ярослава Галана «Перед лицом фактов», которую составляют заметки, памфлеты и очерки, написанные после посещения Нюрнбергского процесса. Проанализировано в большей степени семантическое поле «чужой», представленное портретами фашистов, которые оказались на скамье подсудимых. Акцентировано внимание на сатирических и других приемах образности.
The article is about cultural conceptions «ours»/»foreign» in pamphlet collection by Yaroslav Halan «Pered lytsem faktiv» [«In front of facts’ face»], which consists of notations, pamphlets and essays that were written after visiting Nurenberg Trial Proceeding. Emphasis is placed on pamphlet as a genre that according to its nature is the condensation of colours with the underlying theme of uncovering, which is characterised by unethical comparison of hyperbolised positive and negative. Here the opposition of «ours»/»foreign» became the basement for the formation of the author’s world perception. It is obvious that inclusion of narration’s object in the «ours» concept often appears to be a linguistic strategy of justification (ascention), on the contrary, such inclusion into the «foreign» concept is a strategy of discredit. The separation of «ours» and «foreign», the creation of the «we are the group» image through profanation of the opponent is a relatively traditional method of political fight that was used by Y. Halan to the full extent. The main filling of the «ours» concept in Y. Halan’s work become Soviet Union’s warriors-winners, USSR in general, «foreign» — fascists-SS’s, that were convicted, «ours» that became «foreign» — OUN-UIA warriors, as well as European countries that regenerate fascism, which the author thinks to be highly dangerous. Semantic conception «foreign» is analysed to a wide extent, which is represented with the portraits of fascists that were convicted (Ribbentrop, Herring, Frank). Emphasis is placed on satiric and other methods of figurativeness. The main value of the collection is the creation of enemies’ portraits with the use of satire and sarcasm. Of course, all of them belong to the semantic conception «foreign». The aim of pamphlet is to awake the feeling of resentment, sometimes hate towards chiefs of Gestapo among readers.
В статье идет речь о культурных концептах «свой» / «чужой» в сборнике памфлетов Ярослава Галана «Перед лицом фактов», которую составляют заметки, памфлеты и очерки, написанные после посещения Нюрнбергского процесса. Проанализировано в большей степени семантическое поле «чужой», представленное портретами фашистов, которые оказались на скамье подсудимых. Акцентировано внимание на сатирических и других приемах образности.
The article is about cultural conceptions «ours»/»foreign» in pamphlet collection by Yaroslav Halan «Pered lytsem faktiv» [«In front of facts’ face»], which consists of notations, pamphlets and essays that were written after visiting Nurenberg Trial Proceeding. Emphasis is placed on pamphlet as a genre that according to its nature is the condensation of colours with the underlying theme of uncovering, which is characterised by unethical comparison of hyperbolised positive and negative. Here the opposition of «ours»/»foreign» became the basement for the formation of the author’s world perception. It is obvious that inclusion of narration’s object in the «ours» concept often appears to be a linguistic strategy of justification (ascention), on the contrary, such inclusion into the «foreign» concept is a strategy of discredit. The separation of «ours» and «foreign», the creation of the «we are the group» image through profanation of the opponent is a relatively traditional method of political fight that was used by Y. Halan to the full extent. The main filling of the «ours» concept in Y. Halan’s work become Soviet Union’s warriors-winners, USSR in general, «foreign» — fascists-SS’s, that were convicted, «ours» that became «foreign» — OUN-UIA warriors, as well as European countries that regenerate fascism, which the author thinks to be highly dangerous. Semantic conception «foreign» is analysed to a wide extent, which is represented with the portraits of fascists that were convicted (Ribbentrop, Herring, Frank). Emphasis is placed on satiric and other methods of figurativeness. The main value of the collection is the creation of enemies’ portraits with the use of satire and sarcasm. Of course, all of them belong to the semantic conception «foreign». The aim of pamphlet is to awake the feeling of resentment, sometimes hate towards chiefs of Gestapo among readers.
Опис
Ключові слова
«свій», «чужий», памфлет, портрет, сатира, «свой», «чужой», памфлет, портрет, сатира, «ours»/»foreign», pamphlet, portrait, acidulous satire
Бібліографічний опис
Проблеми сучасного літературознавства = The problems of contemporary literary studies