Метамодерні осциляції: сучасні інтерпретації сакрального в мистецьких практиках XXI століття
Альтернативна назва
Metamodern oscillations: contemporary interpretations of the sacred in the artistic practices of the 21st century
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Дата
2025
Науковий керівник
Укладач
Редактор
Назва журналу
ISSN
2410-2601
E-ISSN
Назва тому
Видавець
Акваторія
Анотація
Текст аналізує сучасні режисерські підходи в контексті метамодерної естетики та їхній вплив на формування нових сценічних мов. У центрі уваги – поєднання чуттєвості, інтелектуальної багатошаровості та гри з межами реального й умовного. Розглядається специфіка постановочних стратегій, що тяжіють до синтезу образів, багаторівневих смислів та емоційної залученості глядача. Порівняння різних митців дозволяє простежити, як метамодерний метод стає інструментом оновлення театральної форми. Текст підкреслює важливість діалогу між глядачем і твором, що постає як простір колективного переживання та когнітивного співтворення. У підсумку робиться висновок про необхідність подальшого осмислення метамодерного досвіду, який формує нову парадигму сценічної чуттєвості в XXI столітті.
This text offers an in-depth analysis of contemporary directing practices through the lens of metamodern aesthetics, emphasizing how new theatrical languages emerge from the oscillation between sincerity and irony, abstraction and embodiment. It explores the ways in which modern directors construct multilayered stage realities that invite the spectator to navigate shifting emotional registers and interpretive frameworks. Central to the discussion is the interplay of sensorial intensity, intellectual complexity, and symbolic hyper-density, which together shape the distinctive expressiveness of metamodern performance. The text examines how scenic compositions blend physicality, visual metaphor, and philosophical reflection, creating a theatre that is simultaneously intimate and monumental. By comparing differing artistic approaches, the analysis reveals how metamodern methodologies foster openness, affective resonance, and renewed attention to human vulnerability. These directors often integrate interdisciplinary techniques — from visual art and installation practices to digital media and choreographic dramaturgy — to build layered narrative landscapes. Such strategies cultivate a dynamic relationship between audience and stage, encouraging viewers not merely to consume meaning but to actively co-produce it through emotional and cognitive engagement. The text also highlights the importance of ambiguity as a productive tool: rather than offering fixed interpretations, metamodern performance invites spectators into a field of evolving possibilities. This openness transforms theatrical experience into an encounter with uncertainty, empathy, and shared presence. The analysis underscores how contemporary productions create a hybrid theatrical zone where symbolic depth coexists with sensory immediacy, forming a new mode of perceiving and feeling. Ultimately, the text argues that metamodern theatre represents a distinctive cultural response to the complexities of the twenty-first century. It positions the stage as a site for re-enchanting meaning, rethinking human connection, and renegotiating the boundaries between art and reality. Through its emotional richness and conceptual fluidity, metamodern directing opens pathways for renewed theatrical imagination and invites a reconsideration of what contemporary performance can achieve. The conclusion emphasizes the need for further critical reflection on how this aesthetic paradigm continues to reshape both artistic practice and audience perception.
This text offers an in-depth analysis of contemporary directing practices through the lens of metamodern aesthetics, emphasizing how new theatrical languages emerge from the oscillation between sincerity and irony, abstraction and embodiment. It explores the ways in which modern directors construct multilayered stage realities that invite the spectator to navigate shifting emotional registers and interpretive frameworks. Central to the discussion is the interplay of sensorial intensity, intellectual complexity, and symbolic hyper-density, which together shape the distinctive expressiveness of metamodern performance. The text examines how scenic compositions blend physicality, visual metaphor, and philosophical reflection, creating a theatre that is simultaneously intimate and monumental. By comparing differing artistic approaches, the analysis reveals how metamodern methodologies foster openness, affective resonance, and renewed attention to human vulnerability. These directors often integrate interdisciplinary techniques — from visual art and installation practices to digital media and choreographic dramaturgy — to build layered narrative landscapes. Such strategies cultivate a dynamic relationship between audience and stage, encouraging viewers not merely to consume meaning but to actively co-produce it through emotional and cognitive engagement. The text also highlights the importance of ambiguity as a productive tool: rather than offering fixed interpretations, metamodern performance invites spectators into a field of evolving possibilities. This openness transforms theatrical experience into an encounter with uncertainty, empathy, and shared presence. The analysis underscores how contemporary productions create a hybrid theatrical zone where symbolic depth coexists with sensory immediacy, forming a new mode of perceiving and feeling. Ultimately, the text argues that metamodern theatre represents a distinctive cultural response to the complexities of the twenty-first century. It positions the stage as a site for re-enchanting meaning, rethinking human connection, and renegotiating the boundaries between art and reality. Through its emotional richness and conceptual fluidity, metamodern directing opens pathways for renewed theatrical imagination and invites a reconsideration of what contemporary performance can achieve. The conclusion emphasizes the need for further critical reflection on how this aesthetic paradigm continues to reshape both artistic practice and audience perception.
Опис
Ключові слова
метамодерн, нова релігійність, режисура, сценічна мова, естетика, інтерпретація, глядацький досвід, театральна форма, багатошаровість, metamodernism, new religiosity, directing, stage language, aesthetics, interpretation, audience experience, theatrical form, multilayered structure
Бібліографічний опис
Ковальова Н. Метамодерні осциляції: сучасні інтерпретації сакрального в мистецьких практиках XXI століття / Н. Ковальова, В. Левченко // Δόξα / Докса : зб. наук. пр. з філософії та філології / Одес. нац. ун-т ім. І. І. Мечникова, Одес. гуманіт. традиція. – Одеса : Акваторія, 2025. – Вип. 1(43) : Філософія та сучасна культура: пошук сенсів. – С. 163–176.
УДК
130.2