Tombulatova, Iraida I.Томбулатова, Іраїда Ігорівна2026-09-102026-09-102026Томбулатова І. Metamodern pastiche: essence and peculiarities. Порубіжжя як феномен у художньому творі та літературознавчій методології. X-ті Фащенківські читання : зб. матеріалів Всеукр. наук. конф. (Одеса, 5–6 черв. 2026 р.) / ОНУ імені І. І. Мечникова, філол. ф-т. Вінниця : Нілан-ЛТД, 2026. С. 169–171.https://dspace.onu.edu.ua/handle/123456789/45386To start analyzing the specifics of nature of a metamodern pastiche, first of all, it is crucial to state what does the term mean in general. As Cambridge Dictionary states: “pastiche – a piece of art, music, literature, etc. that intentionally copies the style of someone else`s work or is intentionally in various styles, or the practice of making art in either of these ways”. The Britannica Dictionary focuses on two definitions: “1. something (such as a piece of writing, music, etc.) that imitates the style of someone or something else; 2. a: a piece of writing, music, etc., that is made up of selections from different works; b: a mixture of different things”. It is clear that the phenomenon can be applied in any art and represent the specifics of the episteme.enmetamodern pastichemetamodernismconstructive pastichedefinition of pastichemetamodern methodsArticlehttps://orcid.org/0000-0002-2396-2902