Проза Лесі Українки в контексті жіночої прози к. ХІХ — поч. ХХ століття
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Дата
2019
Назва журналу
Номер ISSN
Назва тому
Видавець
Одеський національний університет імені І. І. Мечникова
Анотація
Простежено концепції сприймання творчості українських письменниць
кінця ХІХ — початку ХХ століття сучасниками та літературознавцями. Проаналізовано рецепції феномену жінок-письменниць у світовому та національному
культурно-мистецькому контекстах. Здійснена спроба прослідкувати докорінні
зміни в рецептивно-когнітивному аспекті літератури зламу століть. Досліджено, що в сучасному методологічному прочитанні творчість Лесі Українки, Ольги
Кобилянської набуває неоприявлених досі смислових аспектів та інтерпретацій.
Проанализированы концепции восприятия творчества украинских писательниц конца ХІХ — начала ХХ века современниками и литературоведами, в частности обращено внимание на рецепцию феномена женщин-писательниц в мировом и национальном культурно-искусствоведческом контекстах. Сделана попытка проследить глубинные изменения в рецептивно-когнитивном аспекте литературы излома векав. Установлено, что в современном методологическом прочтении творчеству Леси Украинки, Ольги Кобылянской присущи неявные доныне смысловые аспекты и интерпретации.
It is traced the concept of perception of the Ukrainian writers’ works by the literary critics in the books of recent years. The analysis of the reception of the phenomenon of women writers in the world and the national cultural and artistic contexts is analyzed. An attempt has been made to follow the radical changes in the receptive-cognitive aspect of the literature of turn-century. It was investigated that in the modern methodological reading of Lesja Ukrainka’s works, Olga Kobylianska acquires unrecognized semantic aspects and interpretations. In the given article it is analysed the phenomenon of female writing in the Ukrainian literature in the end of ХІХ — beginning of ХХ century. There is traced the public and cultural position of female writing. It was found out that epistolary and critical works by prose writer Lesya Ukrainka, Natalia Kobrynska acquires new, previously not mentioned semantic aspects and interpretations. Analysed genre specific of prose by Lesya Ukrayinka, Olga Kobylіanska and it was discovered that the base of her short stories is formed by an intellectual conflict. There is explored reception of prose by Lesya Ukrayinka and Olga Kobylanska by her first literary critics and also investigated feministic tendencies in the short stories by the authoress. In the given article the appearance of the new method of reality perception is probed. It is directed on fixing alienation in the spiritual situation of contemporaneity. There is researched the embodiment of feministic tendencies in short stories by Lesya Ukrayinka Natalia Kobrynska and Olga Kobylіanska. It is noted that scornful attitude toward Lesya Ukrayinka as a prose writer dominates in criticism, which is explained by the fact that literary criticism is not always ready to accept new tendencies: writers avoid simplification of the artistic world of own works, deepen the expressive side of artistic value in behalf of approaching to indescribable. There is analyzed the transformation of small prose structural types by the authoress, in which realistic and modernistic short story coexist. It is noticed that in the short stories by Lesya Ukrayinka and Olga Kobylіanska is developed an intellectual conflict. There is studied the accent of transference from the external events to internal heartfelt changes and changes experienced by the heroine of the short story «Friendliness» and «Nature». There is deduced an intuitional denial of the traditional for realism genres of prose by Lesya Ukrayinka. There is investigated the phenomenon of artistic value of authoress, which consists in both presenting the author’s individuality, and at the same time being unidentical for the author. It was proved that the basic feature of the short stories in the end of 19th– beginning of the 20th century is a multidimensional approach to a character, aimed at immersion in the existentional depths of a human being. It is considered important the attention to womanish psychology and attempt of the deep emotional states analysis in the prose literary works by female writing. According to research, in modern methodological reading of the works of playwright and intellectual female writing inherent in the hitherto implicit aspects of meaning and interpretation.
Проанализированы концепции восприятия творчества украинских писательниц конца ХІХ — начала ХХ века современниками и литературоведами, в частности обращено внимание на рецепцию феномена женщин-писательниц в мировом и национальном культурно-искусствоведческом контекстах. Сделана попытка проследить глубинные изменения в рецептивно-когнитивном аспекте литературы излома векав. Установлено, что в современном методологическом прочтении творчеству Леси Украинки, Ольги Кобылянской присущи неявные доныне смысловые аспекты и интерпретации.
It is traced the concept of perception of the Ukrainian writers’ works by the literary critics in the books of recent years. The analysis of the reception of the phenomenon of women writers in the world and the national cultural and artistic contexts is analyzed. An attempt has been made to follow the radical changes in the receptive-cognitive aspect of the literature of turn-century. It was investigated that in the modern methodological reading of Lesja Ukrainka’s works, Olga Kobylianska acquires unrecognized semantic aspects and interpretations. In the given article it is analysed the phenomenon of female writing in the Ukrainian literature in the end of ХІХ — beginning of ХХ century. There is traced the public and cultural position of female writing. It was found out that epistolary and critical works by prose writer Lesya Ukrainka, Natalia Kobrynska acquires new, previously not mentioned semantic aspects and interpretations. Analysed genre specific of prose by Lesya Ukrayinka, Olga Kobylіanska and it was discovered that the base of her short stories is formed by an intellectual conflict. There is explored reception of prose by Lesya Ukrayinka and Olga Kobylanska by her first literary critics and also investigated feministic tendencies in the short stories by the authoress. In the given article the appearance of the new method of reality perception is probed. It is directed on fixing alienation in the spiritual situation of contemporaneity. There is researched the embodiment of feministic tendencies in short stories by Lesya Ukrayinka Natalia Kobrynska and Olga Kobylіanska. It is noted that scornful attitude toward Lesya Ukrayinka as a prose writer dominates in criticism, which is explained by the fact that literary criticism is not always ready to accept new tendencies: writers avoid simplification of the artistic world of own works, deepen the expressive side of artistic value in behalf of approaching to indescribable. There is analyzed the transformation of small prose structural types by the authoress, in which realistic and modernistic short story coexist. It is noticed that in the short stories by Lesya Ukrayinka and Olga Kobylіanska is developed an intellectual conflict. There is studied the accent of transference from the external events to internal heartfelt changes and changes experienced by the heroine of the short story «Friendliness» and «Nature». There is deduced an intuitional denial of the traditional for realism genres of prose by Lesya Ukrayinka. There is investigated the phenomenon of artistic value of authoress, which consists in both presenting the author’s individuality, and at the same time being unidentical for the author. It was proved that the basic feature of the short stories in the end of 19th– beginning of the 20th century is a multidimensional approach to a character, aimed at immersion in the existentional depths of a human being. It is considered important the attention to womanish psychology and attempt of the deep emotional states analysis in the prose literary works by female writing. According to research, in modern methodological reading of the works of playwright and intellectual female writing inherent in the hitherto implicit aspects of meaning and interpretation.
Опис
Ключові слова
жіноча проза, наратив, конфлікт, природа творчості, женская проза, нарратив, конфликт, природа творчества, female prose, narrative, conflict, nature of creativity
Бібліографічний опис
Проблеми сучасного літературознавства = The problems of contemporary literary studies