Теоретичні засади дослідження інтертекстуальності як категорії художнього дискурсу
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Дата
2018
Науковий керівник
Укладач
Редактор
Назва журналу
ISSN
E-ISSN
Назва тому
Видавець
Одеський національний університет імені І. І. Мечникова
Анотація
Метою дослідження є формування теоретичного підґрунтя вивчення інтер-
текстуальності та становлення цього поняття як текстово-дискурсивної ка-
тегорії. У статті розглянуто різні точки зору дослідників, які у своїх наукових
розвідках послуговуються різними термінами: інтертекстуальність, інтер-
текст, інтертекстуалізація та інтертекстема. Актуалізовано літературоз-
навчі, семіотичні та лінгвістичні підходи до вивчення інтертекстуальності та
доводено, що інтертекстуальність є текстотвірним чинником у художньому
дискурсі.
The purpose of this study is to consider the theoretical basis for the study of intertextuality and the formation of this concept as a text-discursive category. The article deals with different points of view of researchers, which in their scientific research use different terms: intertextuality, intertext, intertextualization and intertexteme. Actualized literary, semiotic and linguistic approaches to the study of intertextuality, and it is proved that intertextuality is a text-creating factor in artistic discourse. As a text-creating factor, intertextuality can be investigated from two sides: as a factor in the reader's reception and as a factor in the intention of the author. The theoretical study of intertextuality began with the development of the concept of dialogue, which was introduced in his writings by Russian literary critic M. M. Bakhtin. Y. Kristevа in the work "Destruction of Poetics" considers the text as a productivity, which means that “the text is in the language and represents the permutation of other texts, intertextuality”. Intertextuality, according to Y. Kristeva, comes on the substitution of the concept of intersubjectivity, which makes it possible to speak of a double reading of the text. The article deals with the classification of G. Genette and the influence she has made on the study of intertextuality. Studies of Ukrainian and foreign scholars who interpret intertextuality as a generic concept regarding inter-semanticity and intermedialism are given. The lack of a well-defined terminology apparatus is governed by various approaches to the concepts of "intertextuality", "intertext", "intertextualization" and the latest concept of "intertexteme" (the term by G. Siuta). Depending on the approach - culturological, linguistic or literary, researchers use the terms as synonyms. The prospect of scientific research in this plane is to further refine the terminology apparatus concerning intertextuality in the linguistic aspect.
The purpose of this study is to consider the theoretical basis for the study of intertextuality and the formation of this concept as a text-discursive category. The article deals with different points of view of researchers, which in their scientific research use different terms: intertextuality, intertext, intertextualization and intertexteme. Actualized literary, semiotic and linguistic approaches to the study of intertextuality, and it is proved that intertextuality is a text-creating factor in artistic discourse. As a text-creating factor, intertextuality can be investigated from two sides: as a factor in the reader's reception and as a factor in the intention of the author. The theoretical study of intertextuality began with the development of the concept of dialogue, which was introduced in his writings by Russian literary critic M. M. Bakhtin. Y. Kristevа in the work "Destruction of Poetics" considers the text as a productivity, which means that “the text is in the language and represents the permutation of other texts, intertextuality”. Intertextuality, according to Y. Kristeva, comes on the substitution of the concept of intersubjectivity, which makes it possible to speak of a double reading of the text. The article deals with the classification of G. Genette and the influence she has made on the study of intertextuality. Studies of Ukrainian and foreign scholars who interpret intertextuality as a generic concept regarding inter-semanticity and intermedialism are given. The lack of a well-defined terminology apparatus is governed by various approaches to the concepts of "intertextuality", "intertext", "intertextualization" and the latest concept of "intertexteme" (the term by G. Siuta). Depending on the approach - culturological, linguistic or literary, researchers use the terms as synonyms. The prospect of scientific research in this plane is to further refine the terminology apparatus concerning intertextuality in the linguistic aspect.
Опис
Ключові слова
інтертекстуальність, інтертекст, інтертекстуалізація, теоретичні засади, категорія, художній дискурс, intertextuality, intertext, intertextualization, theoretical foundations, category, artistic discourse
Бібліографічний опис
Вісник Одеського національного університету = Odesa National University Herald